Share your opinion
Help us improve our services by filling in our quick survey to let us know how we're doing.
Created by Swansea University as part of the Problematising History: Indigenous perspectives on Welsh settlement in Patagonia project.
The learning resources on this page can help teachers and learners to:
Reference is made to the statements of what matters and the learning descriptions in the 'Areas of Learning and Experience' section below.
Please note: The materials are provided for educational and research purposes only and are licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0). The authors and Swansea University make no representations or warranties as to the accuracy or completeness of the content and accept no liability for any loss or damage arising from the use or reliance on the materials.
The province of Chubut is an area in Argentinean Patagonia which has been home to a Welsh community since the 19th century. People often refer to it as "Y Wladfa". In 1865, a group from Wales travelled to Patagonia on a ship called Mimosa, establishing towns such as Rawson, Trelew and Gaiman. This venture was an attempt to create a community where they could keep their Welsh language and culture, but access to better land and a better life was also an important motivation for the emigrants.
The government of Argentina had offered the settlers land near the river Chupat (which would mean "transparent" in the Tehuelche language), which then became the river "Camwy" in Welsh and "Chubut" (pronounced "t͡ʃuˈbut") in Spanish. The indigenous peoples living in Patagonia at the time were autonomous and not answerable to the laws of Argentina. The government of Argentina had drawn up what was called the "Chegüelcho Agreement" (in reference to the Tehuelche people) with the leaders of local indigenous communities. According to that agreement, the government would send regular rations to the communities, as well as providing animals and clothing, if the leaders let the Welsh settlement develop on the lands in question.
Although the Welsh and the indigenous communities established a prosperous trade throughout the years, the government of Argentina wanted to expand its control over the lands of Patagonia. It did so by increasing the pressure on the indigenous people, especially through the military campaigns known as the "Conquest of the Desert" (1879-1884). Thousands were killed and displaced as a result, including children and the elderly. The communities were torn apart and the state took over their territories and offered them to immigrants from Europe who would be willing to settle on them (including the Welsh).
Given the special and very close relationship between indigenous people and their territories, the advance of the state affected them profoundly in many ways:
The consequences of the above continue to affect the indigenous peoples of Patagonia to this day, affecting their land rights, their cultural recognition and their economic and social well-being. As we learn about the Welsh settlement in Patagonia, we must remember that aspects of the past can be represented and interpreted in different ways, and that has an impact on how we see things in the present. That is why it is important for us to consider the views of Patagonia's indigenous peoples.
Aim: Investigate the cultures of the Tehuelche, Mapuche and Mapuche Tehuelche peoples in the province of Chubut and consider ways in which the past influences the present.
Activity: The video art “TAIÑ MÜLEKAN - Our Presence” (part of De-mapping the feat) explores aspects of the relationship between indigenous peoples and Welsh settlers in the 19th century. The aim of the activity is to promote discussion about the video art before learners create a collage portraying a
native person from Chubut and a native person from Wales (both in the present) bearing in mind the below. In what ways is the collage technique used to present the past and the present at the same time? What is the effect of the technique on the audience?
The work should be inspired by the collages of artist Nadia Pissano Paileman, who takes audiences on “a sensory journey, where the colours, the landscape, the smells and the orality of history create a visual product out of images of the recent past and the present.” Once the collages are completed, learners
will be invited to share their work with the rest of the group and explain the reasons behind their choices. This may provide opportunities for them to reflect on settlement and its impacts on indigenous peoples, as well as on indigenous resistance up to the present.
Aim: Discuss and express opinions about rhythms, language, musical instruments, the composition and the words. Movements can be created to go with the song.
Activity: Included in Puel Willi Mapu Mew is the song ‘Del mismo río’ [Of the same river] by Pablo Rosas in the Mapudungun (pronounced: ma.puˈð̞ũŋ.ɡũn) language, which is the language of the Mapuche people. Listen to the song (starts at minute 8:00, until minute 11:15) and discuss the rhythm, the language, the musical instruments, the composition and the words. Had learners come across them before? Do they resemble anything with which learners are familiar? How does the song make them feel? Learners may be
encouraged to create movements to go with the song.
Below is the English translation of the excerpt sung in the recording:
I am from this very transparent river
of whirlpools tearing the belly
of black stones and calm shores
meandering into escarpments and farms.
I am from this river and the river is mine.
I am from this river and the river is mine.
I gave you my stones, the most washed ones.
You released your hopes to the sky.
You cried rains disguising
a beloved love and disappointments.
I am from this river and the river is mine.
I am from this river and the river is mine.
I sit among the tamarisk trees.
There is no waiting in my thoughts
but if you come back it will be nice
to see us face to face in the river,
the black river.
I'm from your river and you from mine.
I'm from this river and you from mine.
[following a discussion about the drowning of Capel Celyn and Cwm Tryweryn and their effects on people in Wales]
Aim: To understand the effects of the settlement of the province of Chubut, Patagonia, on the indigenous Tehuelche, Mapuche and Mapuche Tehuelche.
Activity 3a: Read the text below by Agustín Pichiñan (which is part of Memories and stories of Mapuche territory elders) and create a presentation (Google Slides/Canva/Adobe Express) comparing the views of the different groups of people regarding settlement processes in the province Chubut. From a Welsh perspective, how did settlement unfold? What was the stance of the Argentinian state? What were the experiences of the Tehuelche, Mapuche and Mapuche Tehuelche peoples?
"Our ancestors told us about how the families of the Pichiñan lofche [community] settled in Paso de Indios around the year 1900, after being driven out by the military campaigns of the late 19th century. The official history of Chubut silences the stories of the Mapuche and allows words like ‘progress’ and ‘Welsh settlers’ to resonate; settlers with whom we had connections. With the support of the State, fences were extended all over our territory bringing us subjugation, harassment and discrimination." Agustín Pichiñan
Activity 3b: Following the above, reference can be made to the English-language version of the song 'I only ask of God', recorded by Outlandish: What is the song's message? How does the notion of injustice apply to the history of the Tehuelche, Mapuche and Mapuche Tehuelche indigenous peoples in Patagonia?
[if class has notdiscussed Capel Celyn/Cwm Tryweryn]
Aim: To read the profile of Agustín Pichiñan (which is part of Memories and stories of Mapuche territory elders) and pay attention to what is important to him at the end of the passage.
Activity: Create an individual profile based on Agustín Pichiñan's profile, focusing on: What is important to you and your family? What is worth fighting for, in your opinion? What part of your family's history would you like people to remember in the distant future?
Aim: To describe the landscape scenery of Nahuelpan, which is one of the Mapuche Tehuelche communities in the province of Chubut, developing vocabulary to describe visual resources.
Activity 5a: Choose a picture from the seven below (which are part of Nahuelpan: Memory, dispossession and struggle). Observe in detail the landscape of Nahuelpan, and discuss the photos describing the landscape. You can talk about lighting, close/far shot, atmosphere, animals, colours, shade, outline and so on, and use descriptive adjectives to compare the Nahuelpan landscape with Wales. Learners can describe the pictures orally and in writing. Invite learners to animate a picture with an app/artificial intelligence; e.g. landscape changes with the seasons/sunset and dawn. Learners can create a song that follows the style of the song ‘Del mismo río’ or choose an instrumental song to listen to in the background with the animation.
The learners' journey will stem from the Curriculum for Wales and the statements of what matters. They will be challenged to be curious and to question, to think critically and reflect on evidence.
Humanities
Well-being
The Expressive Arts
These images of the Nahuelpan landscape have been supplied thanks to Jenifer Paola Nahuelpan, Luisa Ayleen Suarez and Gina Jara of the 'Nahuelpan: Memory, dispossession and struggle' project.